(Those that contributed to the Kickstarter will also be getting a limited-edition Blu-ray/DVD.) Ultimately what the plan is, we will see,” Rymsza adds. It began production in 1970, and now decades later, Orson Welles‘ unfinished final feature, The Other Side of the Wind, is finally being completed. Netflix — who seem to be in the business of funding major projects from Hollywood’s greatest directors — has also been confirmed as backer and distributor of the film. Everything we have done for the past year and a half has been grueling, but that’s finally over and now we get to be creative and finally bring this film to life,” says producer Filip Jan Rymsza. We don’t have to work toward a release date. After the many years of reports from those involved, one may think, “Sure, I’ve heard this before,” but it’s genuinely happening, following word from Peter Bogdanovich back in January.

Audience Reviews for The Other Side of the Wind Nov 03, 2018 The concept is deceptively pedestrian but it allows Welles to play around with a lot of different ideas.

Track his obsessive film-watching on Letterboxd. Courtesy of Welles Net and New York Times, there is photographic proof that all 1,083 reels of “negative footage, dailies, rushes and other materials” have arrived to Los Angeles for the post-production process to finally take place. It began production in 1970, and now decades later, Orson Welles‘ unfinished final feature, The Other Side of the Wind, is finally being completed.After the many years of reports from those involved, one may think, “Sure, I’ve heard this before,” but it’s genuinely happening, following word from Peter Bogdanovich back in January. “We are really going to focus on just finishing the film. It sounds like we still shouldn’t expect the premiere in the near future, but to know that financial support and care is being put towards Welles’ last film should make all cinema-goers delighted. And, again, what makes Netflix such a great partner is that they are going to give us the time to do so. See a video of the arrival of the materials below via Yahoo. If we need more time, we have more time … I can’t overstate how great a partner they have been.”. Christian Petzold Reveals His Next Film is a Gay Love Story Titled, Watch: Tilda Swinton & Pedro Almodóvar Discuss the Enduring Power of Cinema in Hour-Long Talk, Eva Green Looks to the Stars in U.S. Trailer for Alice Winocour’s, Jim Cummings on the Future of Indie Film, Working with Robert Forster, and Recording His Movies as Podcasts, Kirsten Johnson on the World’s Collective Grief and Cathartically Exploring Death in, David Lynch Confirms the Pandemic Halted His Plans to Shoot a New Project, NYFF Review: Michelle Pfeiffer is Brilliant in the Surrealist, Melancholic Comedy, Nightstream Review: The All-Puppet Horror Feature. “The Other Side of the Wind” doesn’t take hold as an act of storytelling until it reaches the desert ranch house where everyone has gathered for a party to celebrate Jake’s 70th birthday. The Other Side of the Wind is an American-French experimental film directed, co-written, co-produced and co-edited by Orson Welles, released in 2018 after more than forty years in development.The film stars John Huston, Bob Random, Peter Bogdanovich, Susan Strasberg and Oja Kodar.Shooting began in 1970 for what Welles intended to be his Hollywood comeback, and resumed on-and-off until 1976. I love that Netflix has been open to that idea. If the Netflix release has some fans worried about the prospects of a theatrical release, fear not, as producing a 35mm print is part of the contract.

“In terms of release, we are going to continue to do things in unconventional ways. All the deals are fully closed, both the Netflix deal and all of the rights deals. “Everything is signed. We’ve waited long enough for this to see the light of day, so those involved — including Bogdanovich and Frank Marshall, who are working off both their experience in the production and handwritten notes from Welles — can certainly take their time to get it right. Jordan Raup is the founder and editor-in-chief of The Film Stage and a Rotten Tomatoes-approved critic.

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