The Strokes. Everything else evaporates like water vapor. When a car door closed on Jamie Hince’s hand in 2013, the guitarist for cross-continental indie rock duo the Kills thought his career might be over. It’s interesting how bands and their music are often boiled down to just their bare essentials. They share an onstage chemistry that is truly infectious. The Kills have stretched their garage rock sound far enough: They’re doing it to death.

Sound Pretentious? :p, Dropped B tuning, the kills - Jamie Hince, http://www.youtube.com/watch?v=N4lZkXf3JZ8, Re: Dropped B tuning, the kills - Jamie Hince.


And the good news is “Doing it to Death” is sick. Mosshart’s lyrics — “I know we gotta slow it down/But when the waves come, you face them/And you know we can’t stop it now” — set up Ash & Ice as an album about the cyclical nature of life, particularly when it comes to desire and pleasure-seeking. Thankfully, I don’t feel left out at all, but don’t take my bluntness as an insult. It’s evident that The Kills have moved a little out of the punk world and more into the indie one throughout their career. Why Did Rudy Giuliani Submarine a BCCI Probe?

The new album Ash & Ice is slotted for a June 3rd release, and if their single is anything to base it off, we should be in for a treat. Guitar, banjo, mandolin and piano, bass and percussion, Ah, I forgot the #-sign at the end of my drop B. These two clearly enjoy not just performing, but performing together. Despite the circumstances — Hince’s surgeries and the long hiatus — Mosshart says the process was just a slightly more dramatic version of what always happens. Ash & Ice begins with its lead single, “Doing It to Death,” a title Hince says means “doing something [so] relentlessly it loses its meaning.” Opening with clean guitar riffs and percussive synth beats, the track signals that the Kills have left behind the crunchy distortion of their earlier work and smoothed out their sound. “It’s kind of surprising [to hear] ‘It’s been five years since your last release,'” says Hince. The point here is not “The Kills make great catchy danceable tunes so why are you worried about them just doing that?” The point is that The Kills have always made great catchy danceable tunes in addition to the bluesy punky guitar and vocal centric tunes that they do SO well. “We invited [in] the rest of the world, in a way,” Mosshart says. We blasted The Kills in our dingy dilapidated habitation and wanted nothing more than to attain the decrepit authenticity of Alison “V.V.” Mosshart and Jamie “Hotel” Hince. And if you don’t think The Kills make catchy danceable songs, then you haven’t listened to “Getting Down” off 2008’s Midnight Bloom. Simply put, it’s catchier than some of their older stuff. Mosshart says a change of location, a “big thing” for the band, put her in this more observational songwriting mindset. View More Fan Reviews. But I can’t help but think the latter of these two tracks defines what the Kills are doing with their music at this point. Fans Also Track. From PJ Harvey to the Velvet Underground, Alison Mosshard and Jamie Hince of The Kills discuss their influences, passions and their new flat with Will Hodgkinson This is not an inherently bad thing, and frequently a band’s best work can occur at some point along this sliding scale, rather than at one end of it (see: Blood Sugar Sex Magik). But “Doing It To Death” could give some Kills fans pause. You don’t believe that it’s ever going to be there until it is,” she says. When a car door closed on Jamie Hince’s hand in 2013, the guitarist for cross-continental indie rock duo the Kills thought his career might be over.


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