Ambitious? The Black Keys bestehen aus dem Sänger und Gitarristen Dan Auerbach und dem Schlagzeuger Patrick Carney. Raw rock grandeur as so frequently conjured up on this album is hard to come by in any capacity; if that means having to overlook a few minor flaws, it's worth it. The Black Keys may just be a couple of white dudes from Akron, but they seem closer in spirit to something that Muddy Waters himself might've considered "the blues" than to … Auerbach’s as good at turning crunchy, blues-flavored guitar licks as … Though the stutter-stepping percussion and racing, rise/fall soloing of "Set You Free" nearly succeeds at preserving the pummeling drive beyond all limits of human endurance, it ends up being the most purely entertaining cut on the album simply out of the necessity for respite. SPILL ALBUM REVIEW: KETE BOWERS - PAPER SHIPS. Or has music finally been saturated to the point of the inability to feel and produce a genuine response to anything? But when Auerbach sings, “Blacktop, I can’t stop,” at the end, over Carney’s open-road stride, they sound like a band already on to the next crossroads. The Good: The Black Keys have evolved into modern-day masters of classic rock and roll. THE ULTIM... 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When they finished touring Turn Blue, Auerbach said he had become so alienated from his job that he could play to a huge crowd without thinking about what he was doing. No, metal is not (all) about Satan. But this is more brazen severity, richer and forward in its hip-hop allusions, super-size-rock dynamics, pictorial studio flourishes and offbeat commercial savvy. Let me explain. Copyright © 2020 | The Spill Magazine They were ubiquitous, and their sound became so permanently embedded in the airwaves that casual listeners may not have noticed they’ve been gone. Winners like "Heavy Soul" evoked the primal ballet of Fordzilla crushing unmanned Buicks, and when it wasn't busy flattening rides, still offered a glimpse of the delicate machinery under the hood with soul cuts like "I'll Be Your Man". 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